Greg Cootsona, pondering whether he's confusing |
Sometimes I’m afraid I confuse people in my
congregation.
Here’s what I mean: I’m writing this piece
somewhere between Bidwell Presbyterian’s February Religion and Science
conference and our March-April “Seeing the Savior” art show. Science and art:
How in the world do I think these two disciplines come together, not to mention,
do they meet somewhere with Christian faith?
The key claim I’ll make is admittedly audacious:
Christian faith doesn’t close our world. It opens us to new discoveries.
I’ll put some onus on the 17th
chapter of Acts, where Paul quotes the first century secular writer Epimenides,
who writes in “In Him we live and move and have our being.” In other words,
Paul is engaging with a secular poet
about the nature of the physical world—we would today call science. And, here Paul links both science and poetry with faith.
Paul even asserts that Epimenides’s Deity “unknown to the Greeks” is actually
fully revealed and “known” through the Christian gospel. Apparently, faith
didn’t close Paul to discovery, but opened him to see new depth and connections.
Fairly early in my Christian faith, as an
undergrad at Berkeley, I discovered that contemporary worldviews were often
restrictive. I was surprised that one of the secular prophets in my day, Michel
Foucault—from whom I learned a great deal—was still remarkably weak in
providing depth. His philosophy was very French, erudite, and compelling, but ultimately
quite limiting. It didn’t ultimately offer meaning. Today, we hear Richard
Dawkins opine that the universe is “blind, pitiless indifference.” Others call
human beings “machines made of meat.” I wouldn’t describe that as a philosophy
that inspires. I discovered it then and continue to see today how limited many
atheist philosophies are.
And yet, when I approach science and art from
faith, it becomes surprisingly illuminating. As my second example, I often see
artistic expression—whether poetry, music, paintings, or various other arts—as
the search for beauty, which takes us back to Creator of this beautiful world.
As the famous poet, Gerard Manley Hopkins, wrote,
Give beauty back, beauty, beauty, beauty,
Back to God, beauty’s self and beauty’s giver.
That’s why I think
artists should be in the congregation and art in the churches. That’s why we
are bringing paintings from several different ethnic visual artists to our congregation.
Because they help us “see the Savior” in new ways, to make new connections.
Because beauty is God’s, and artists bring a fresh appreciation of beauty back
to the church. And, as Hopkins points out, because all this beauty flows from
the Source of beauty, God.
In the midst of these two events, I’m also teaching
a class on the literary scholar C. S. Lewis. He closed a lecture at the Oxford
Socratic Society (a group designed to debate the truth of Christianity in light
of other disciplines) with an assertion that Christian theology, in contrast to
an atheistic scientism can fit in “science, art, morality.” It illuminates
them. Lewis concluded with this telling line: “I believe in Christianity as I
believe in that the Sun has risen not only because I see it but because by it I
see everything else.”
This article also appeared in our local paper, Chico Enterprise-Record, here.
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